It’s no surprise that in our era of immediate nostalgia that year-end lists carry great importance in the music world.
Sure, it might be obnoxious to try and understand the logic behind some of the choices in many of these year-end lists, but nobody ever said these results were scientific. Music is not science.
But if nothing else, these lists provide an excellent starting point for discussion. Did Radiohead really release the best album of the year, even if it was the one with the most hype? Was this the year that indie releases from M.I.A., The Arcade Fire and The National truly reigned as the best albums of the year?
Many of the year-end best-of lists that came out in December from magazines, blogs and other Web sites pointed to many releases that did not receive a great deal of mainstream success. Albums such as The Arcade Fire’s “Neon Bible” garnered a great deal of hype and media coverage, but that did not translate to big numbers in album sales, as it was only the 8th best selling Independent release from ’07, and the 190th best selling album overall (sandwiched between James Blunt’s “Back To Bedlam” and Johnny Cash’s “The Legend of Johnny Cash”).
Or is it in fact much simpler, and album sales are directly indicative of the best and most memorable albums of the year?
This idea of ranking albums lower in sales much higher than chart-topping albums is not a new idea, [but now more than ever is the music industry embracing the fact that album sales are no longer indicative of talent or influence on America and the music industry.]
Take, for example, Billboard’s twenty best selling albums of 2007, listed below.
- Daughtry – “Daughtry” (2006 Release)
- Akon – “Konvicted” (2006 Release)
- Fergie – “The Dutchess” (2006 Release)
- Soundtrack – “Hannah Montana” (2006 Release)
- Carrie Underwood – “Some Hearts” (2005 Release)
- Nickelback – “All The Right Reasons” (2005 Release)
- Justin Timberlake – “Futuresex/Lovesounds” (2006 Release)
- Soundtrack – “High School Musical 2”
- Various Artists – “NOW 23” (2006 Release)
- Linkin Park – “Minutes To Midnight”
- Beyonce – “B’Day” (2006 Release)
- Kanye West – “Graduation”
- Rascal Flatts – “Me And My Gang” (2006 Release)
- The Beatles – “Love” (2006 Release)
- Gwen Stefani – “The Sweet Escape” (2006 Release)
- Miley Cyrus – “Hannah Montana 2 (Soundtrack)/Meet Miley Cyrus”
- Josh Groban – “Awake” (2006 Release)
- Norah Jones – “Not Too Late”
- Taylor Swift – “Taylor Swift” (2006 Release)
- Jay-Z – “Kingdom Come” (2006 Release)
Top to bottom, that is quite the reprehensible list, in all honesty. It’s no secret that Americans regularly buy pretty awful music. This is, after all, a country where The Eagles’ “Greatest Hits - 1971-1975” is the best selling album of all time.
But even if you remove the NOW compilation and Disney Channel soundtracks that are marketed more toward a pre-pubescent audience, that still leaves a top ten of Daughtry*, Akon, Fergie, Carrie Underwood*, Nickelback, Justin Timberlake, Beyonce, Kanye West, and Rascal Flatts.
And there are a hell of a lot of people who listen to those ten artists. I unfortunately worked at a Buffalo Wild Wings this past summer and those ten artists were about the only music I heard while at work. (The Chemical Brothers’ ‘Block Rockin’ Beats’ came on one day and I swear I came out with twice as many tips because it kicked so much ass. Everyone else working there or eating there just was really confused by it. I’m not making this up.) Bars play most of those artists. Lots of people download that shit.
So undoubtedly, these are all big-name artists that have the ability to sell out arenas across the country on any given night. What I want to know is whether these ten artists have made the music that is going to be remembered more than anything else from this current generation of music, which of course translates to usually what is considered the “best” music from that time period.
Certainly, if you look to the past, there was excellent music being played in not-so-excellent eras of music that has stood the test of time better than their big-name counterparts. (For Example. The Clash and Van Halen both released albums in the late-‘70s and early ‘80s. The Clash sold enough to have a successful career and Van Halen sold everywhere and made millions and millions of dollars. Whose music do you think has more of an impact thirty years later?)
So perhaps the most influential or “best” albums of 2007 are coming from a different area of the music industry, entirely separate from the best-sellers.
Magazines, newspapers, and just about every possible online medium all made “Best Albums of 2007” lists. And despite the fact that there are so, so many things wrong with it, Rolling Stone magazine is the most recognizable name in reporting on music. And even though this list is very different from Billboard’s, I still must stress that Rolling Stone is an entertainment magazine and no longer a magazine covering the counterculture or the rock scene, or whatever it is that they haven’t written about since (at the latest) the mid to late-‘90s.
However, Rolling Stone is still a good example of what some people might look back on to understand what music was important in that particular year. So for the sake of argument…Rolling Stone’s Top 20 Albums of the Year.
1. M.I.A – “Kala”
2. Bruce Springsteen – “Magic”
3. Jay-Z – “American Gangster”
4. Arcade Fire – “Neon Bible”
5. Kanye West – “Graduation”
6. Radiohead – “In Rainbows”
7. LCD Soundsystem – “Sounds of Silver”
8. Rilo Kiley – “Under The Blacklight”
9. Against Me! – “New Wave”
10. Spoon – “Ga Ga Ga Ga Ga”
11. John Fogerty – “Revival”
12. Bright Eyes – “Cassadaga”
13. Lily Allen – “Alright, Still”
14. Gogol Bordello – “Super Taranta!”
15. Common – “Finding Forever”
16. Les Savy Fav – “Let’s Stay Friends”
17. The White Stripes – “Icky Thump”
18. Lucinda Williams – “West”
19. Devendra Banhart – “Smokey Rolls Down Thunder Canyon”
20. Melissa Etheridge – “The Awakening”
First of all, many of the albums on the Billboard list were released in 2006, effectively disqualifying them from Rolling Stone’s list, but if you go back to RS’s 2006 list (http://www.rollingstone.com/news/story/12800635/the_top_50_albums_of_2006), only Justin Timberlake’s “Futuresex/Lovesounds” made it into the top 50. (It came in at 22)
But the only 2007 release that appears on both lists is Kanye West’s “Graduation.” (Which, perhaps not coincidentally, is up for more Grammy’s than any other album this year.)
So clearly, there is a distinct disparity between the opinions of the most popular music magazine in the country on the best albums of the year and the best-selling albums of the year.
But part of me in inclined to think that Rolling Stone is out of touch with their readers, especially those in a younger (and probably a more culturally important, as it pertains to music) demographic, which shows in their lack of hip-hop in the top 20.
But at the same time, I find it difficult to grasp that the best-selling artists this year are the ones that are to be remembered by history.
But who has the answers?
* American Idol product: Album sales are skewed due to the free advertising for multiple hours per week on America’s #1 watched television program in addition to other entertainment programs that are dedicated to the show and its artists and the paid advertisements for the show.